quarta-feira, 23 de abril de 2014

Alguém que adia tudo até ao último minuto. Quando o último minuto chega, decide que não era importante de qualquer das formas.

Slacker (1991) de Richard Linklater.
Entrem na viagem e fiquem. Eu vou convosco, diz o realizador. Percam-se comigo. O mundo que está ali é das pessoas que falam para se ligarem. Para se sentirem compreendidas. 
I was always intrigued by what people said, what that meant about what they were saying, and what that betrayed about them—regardless of whether what they were saying made any sense or not. (...) in Slacker I wanted a world where the interior was brought forth—kind of like in theater. That’s just the way it came out once I really started to do stuff that felt personal to me. It was people just rapping, talking a lot, with not much going on, technically speaking. It wasn’t really conscious. 
Uns reflectem sobre o futuro, outros jogam à sardinha.

Psst, psst, não esquecer: Double Play: James Benning and Richard Linklater .